Parameters

For reference, here is a list of all parameters in Floe.

Module	Name	ID	Description
Layer 1	Volume	160	Layer volume
Layer 1	Mute	161	Mute this layer
Layer 1	Solo	162	Mute all other layers
Layer 1	Pan	163	Left/right balance
Layer 1	Detune Cents	164	Layer pitch in cents; hold shift for finer adjustment
Layer 1	Pitch Semitones	165	Layer pitch in semitones
Layer 1/Loop	Start	167	Loop-start
Layer 1/Loop	End	168	Loop-end
Layer 1/Loop	Crossfade Size	169	Crossfade length; this smooths the transition from the loop-end to the loop-start
Layer 1/Loop	Sample Start Offset	171	Change the starting point of the sample
Layer 1/Loop	Reverse On	172	Play the sound in reverse
Layer 1/Volume Envelope	On	173	Enable/disable the volume envelope; when disabled, each sound will play out entirely
Layer 1/Volume Envelope	Attack	174	Volume fade-in length
Layer 1/Volume Envelope	Decay	175	Volume ramp-down length (after the attack)
Layer 1/Volume Envelope	Sustain	176	Volume level to sustain (after decay)
Layer 1/Volume Envelope	Release	177	Volume fade-out length (after the note is released)
Layer 1/Filter	On	178	Enable/disable the filter
Layer 1/Filter	Cutoff Frequency	179	The frequency at which the filter should take effect
Layer 1/Filter	Resonance	180	The intensity of the volume peak at the cutoff frequency
Layer 1/Filter	Type	181	Filter type
Layer 1/Filter	Envelope Amount	182	How strongly the envelope should control the filter cutoff
Layer 1/Filter	Attack	183	Length of initial ramp-up
Layer 1/Filter	Decay	184	Length ramp-down after attack
Layer 1/Filter	Sustain	185	Level to sustain after decay has completed
Layer 1/Filter	Release	186	Length of ramp-down after note is released
Layer 1/LFO	On	187	Enable/disable the Low Frequency Oscillator (LFO)
Layer 1/LFO	Shape	188	Oscillator shape
Layer 1/LFO	Mode	189	Oscillator phase mode. Retrigger: each voice has its own phase, Free: all voices that are playing simultaneously will have the same phase
Layer 1/LFO	Amount	190	Intensity of the LFO effect
Layer 1/LFO	Target	191	The parameter that the LFO will modulate
Layer 1/LFO	Time (Tempo Synced)	192	LFO rate (synced to the host)
Layer 1/LFO	Time (Hz)	193	LFO rate (in Hz)
Layer 1/LFO	Sync On	194	Sync the LFO speed to the host
Layer 1/EQ	On	195	Turn on or off the equaliser effect for this layer
Layer 1/EQ/Band 1	Frequency	196	Band 1: frequency of this band
Layer 1/EQ/Band 1	Resonance	197	Band 1: sharpness of the peak
Layer 1/EQ/Band 1	Gain	198	Band 1: volume gain at the frequency
Layer 1/EQ/Band 1	Type	199	Band 1: type of EQ band
Layer 1/EQ/Band 2	Frequency	200	Band 2: frequency of this band
Layer 1/EQ/Band 2	Resonance	201	Band 2: sharpness of the peak
Layer 1/EQ/Band 2	Gain	202	Band 2: volume gain at the frequency
Layer 1/EQ/Band 2	Type	203	Band 2: type of EQ band
Layer 1/MIDI	Velocity Mapping	204	Choose how MIDI velocity should affect the volume of this layer. There are 6 modes that can be selected for this parameter via the buttons on the GUI. By setting one layer to be quiet at high velocities and another layer to be quiet at low velocities you can create an instrument that sounds different based on how hard the notes are played. (0) Ignore velocity, always play full volume. (1) Loudest at high velocity, quietist at low velocity (2) Loudest at low velocity, quietist at high velocity (3) Loudest at high velocity, quietist at middle velocity and below (4) Loudest at middle velocity, quietist at both high and low velocities (5) Loudest at bottom velocity, quietist at middle velocity and above,
Layer 1/MIDI	Keytrack On	205	Tune the sound to match the key played; if disabled it will always play the sound at its root pitch
Layer 1/MIDI	Monophonic On	206	Only allow one voice of each sound to play at a time
Layer 1/MIDI	MIDI Transpose On	208	Transpose the mapping of samples by the given semitone offset, meaning a higher/lower sample may be triggered instead of stretching/shrinking the audio by large amounts (only useful if the instrument is multi-sampled)
Layer 1/Loop	Loop Mode	209	The mode for looping the samples
Layer 2	Volume	320	Layer volume
Layer 2	Mute	321	Mute this layer
Layer 2	Solo	322	Mute all other layers
Layer 2	Pan	323	Left/right balance
Layer 2	Detune Cents	324	Layer pitch in cents; hold shift for finer adjustment
Layer 2	Pitch Semitones	325	Layer pitch in semitones
Layer 2/Loop	Start	327	Loop-start
Layer 2/Loop	End	328	Loop-end
Layer 2/Loop	Crossfade Size	329	Crossfade length; this smooths the transition from the loop-end to the loop-start
Layer 2/Loop	Sample Start Offset	331	Change the starting point of the sample
Layer 2/Loop	Reverse On	332	Play the sound in reverse
Layer 2/Volume Envelope	On	333	Enable/disable the volume envelope; when disabled, each sound will play out entirely
Layer 2/Volume Envelope	Attack	334	Volume fade-in length
Layer 2/Volume Envelope	Decay	335	Volume ramp-down length (after the attack)
Layer 2/Volume Envelope	Sustain	336	Volume level to sustain (after decay)
Layer 2/Volume Envelope	Release	337	Volume fade-out length (after the note is released)
Layer 2/Filter	On	338	Enable/disable the filter
Layer 2/Filter	Cutoff Frequency	339	The frequency at which the filter should take effect
Layer 2/Filter	Resonance	340	The intensity of the volume peak at the cutoff frequency
Layer 2/Filter	Type	341	Filter type
Layer 2/Filter	Envelope Amount	342	How strongly the envelope should control the filter cutoff
Layer 2/Filter	Attack	343	Length of initial ramp-up
Layer 2/Filter	Decay	344	Length ramp-down after attack
Layer 2/Filter	Sustain	345	Level to sustain after decay has completed
Layer 2/Filter	Release	346	Length of ramp-down after note is released
Layer 2/LFO	On	347	Enable/disable the Low Frequency Oscillator (LFO)
Layer 2/LFO	Shape	348	Oscillator shape
Layer 2/LFO	Mode	349	Oscillator phase mode. Retrigger: each voice has its own phase, Free: all voices that are playing simultaneously will have the same phase
Layer 2/LFO	Amount	350	Intensity of the LFO effect
Layer 2/LFO	Target	351	The parameter that the LFO will modulate
Layer 2/LFO	Time (Tempo Synced)	352	LFO rate (synced to the host)
Layer 2/LFO	Time (Hz)	353	LFO rate (in Hz)
Layer 2/LFO	Sync On	354	Sync the LFO speed to the host
Layer 2/EQ	On	355	Turn on or off the equaliser effect for this layer
Layer 2/EQ/Band 1	Frequency	356	Band 1: frequency of this band
Layer 2/EQ/Band 1	Resonance	357	Band 1: sharpness of the peak
Layer 2/EQ/Band 1	Gain	358	Band 1: volume gain at the frequency
Layer 2/EQ/Band 1	Type	359	Band 1: type of EQ band
Layer 2/EQ/Band 2	Frequency	360	Band 2: frequency of this band
Layer 2/EQ/Band 2	Resonance	361	Band 2: sharpness of the peak
Layer 2/EQ/Band 2	Gain	362	Band 2: volume gain at the frequency
Layer 2/EQ/Band 2	Type	363	Band 2: type of EQ band
Layer 2/MIDI	Velocity Mapping	364	Choose how MIDI velocity should affect the volume of this layer. There are 6 modes that can be selected for this parameter via the buttons on the GUI. By setting one layer to be quiet at high velocities and another layer to be quiet at low velocities you can create an instrument that sounds different based on how hard the notes are played. (0) Ignore velocity, always play full volume. (1) Loudest at high velocity, quietist at low velocity (2) Loudest at low velocity, quietist at high velocity (3) Loudest at high velocity, quietist at middle velocity and below (4) Loudest at middle velocity, quietist at both high and low velocities (5) Loudest at bottom velocity, quietist at middle velocity and above,
Layer 2/MIDI	Keytrack On	365	Tune the sound to match the key played; if disabled it will always play the sound at its root pitch
Layer 2/MIDI	Monophonic On	366	Only allow one voice of each sound to play at a time
Layer 2/MIDI	MIDI Transpose On	368	Transpose the mapping of samples by the given semitone offset, meaning a higher/lower sample may be triggered instead of stretching/shrinking the audio by large amounts (only useful if the instrument is multi-sampled)
Layer 2/Loop	Loop Mode	369	The mode for looping the samples
Layer 3	Volume	480	Layer volume
Layer 3	Mute	481	Mute this layer
Layer 3	Solo	482	Mute all other layers
Layer 3	Pan	483	Left/right balance
Layer 3	Detune Cents	484	Layer pitch in cents; hold shift for finer adjustment
Layer 3	Pitch Semitones	485	Layer pitch in semitones
Layer 3/Loop	Start	487	Loop-start
Layer 3/Loop	End	488	Loop-end
Layer 3/Loop	Crossfade Size	489	Crossfade length; this smooths the transition from the loop-end to the loop-start
Layer 3/Loop	Sample Start Offset	491	Change the starting point of the sample
Layer 3/Loop	Reverse On	492	Play the sound in reverse
Layer 3/Volume Envelope	On	493	Enable/disable the volume envelope; when disabled, each sound will play out entirely
Layer 3/Volume Envelope	Attack	494	Volume fade-in length
Layer 3/Volume Envelope	Decay	495	Volume ramp-down length (after the attack)
Layer 3/Volume Envelope	Sustain	496	Volume level to sustain (after decay)
Layer 3/Volume Envelope	Release	497	Volume fade-out length (after the note is released)
Layer 3/Filter	On	498	Enable/disable the filter
Layer 3/Filter	Cutoff Frequency	499	The frequency at which the filter should take effect
Layer 3/Filter	Resonance	500	The intensity of the volume peak at the cutoff frequency
Layer 3/Filter	Type	501	Filter type
Layer 3/Filter	Envelope Amount	502	How strongly the envelope should control the filter cutoff
Layer 3/Filter	Attack	503	Length of initial ramp-up
Layer 3/Filter	Decay	504	Length ramp-down after attack
Layer 3/Filter	Sustain	505	Level to sustain after decay has completed
Layer 3/Filter	Release	506	Length of ramp-down after note is released
Layer 3/LFO	On	507	Enable/disable the Low Frequency Oscillator (LFO)
Layer 3/LFO	Shape	508	Oscillator shape
Layer 3/LFO	Mode	509	Oscillator phase mode. Retrigger: each voice has its own phase, Free: all voices that are playing simultaneously will have the same phase
Layer 3/LFO	Amount	510	Intensity of the LFO effect
Layer 3/LFO	Target	511	The parameter that the LFO will modulate
Layer 3/LFO	Time (Tempo Synced)	512	LFO rate (synced to the host)
Layer 3/LFO	Time (Hz)	513	LFO rate (in Hz)
Layer 3/LFO	Sync On	514	Sync the LFO speed to the host
Layer 3/EQ	On	515	Turn on or off the equaliser effect for this layer
Layer 3/EQ/Band 1	Frequency	516	Band 1: frequency of this band
Layer 3/EQ/Band 1	Resonance	517	Band 1: sharpness of the peak
Layer 3/EQ/Band 1	Gain	518	Band 1: volume gain at the frequency
Layer 3/EQ/Band 1	Type	519	Band 1: type of EQ band
Layer 3/EQ/Band 2	Frequency	520	Band 2: frequency of this band
Layer 3/EQ/Band 2	Resonance	521	Band 2: sharpness of the peak
Layer 3/EQ/Band 2	Gain	522	Band 2: volume gain at the frequency
Layer 3/EQ/Band 2	Type	523	Band 2: type of EQ band
Layer 3/MIDI	Velocity Mapping	524	Choose how MIDI velocity should affect the volume of this layer. There are 6 modes that can be selected for this parameter via the buttons on the GUI. By setting one layer to be quiet at high velocities and another layer to be quiet at low velocities you can create an instrument that sounds different based on how hard the notes are played. (0) Ignore velocity, always play full volume. (1) Loudest at high velocity, quietist at low velocity (2) Loudest at low velocity, quietist at high velocity (3) Loudest at high velocity, quietist at middle velocity and below (4) Loudest at middle velocity, quietist at both high and low velocities (5) Loudest at bottom velocity, quietist at middle velocity and above,
Layer 3/MIDI	Keytrack On	525	Tune the sound to match the key played; if disabled it will always play the sound at its root pitch
Layer 3/MIDI	Monophonic On	526	Only allow one voice of each sound to play at a time
Layer 3/MIDI	MIDI Transpose On	528	Transpose the mapping of samples by the given semitone offset, meaning a higher/lower sample may be triggered instead of stretching/shrinking the audio by large amounts (only useful if the instrument is multi-sampled)
Layer 3/Loop	Loop Mode	529	The mode for looping the samples
Effect/Distortion	Type	3	Distortion algorithm type
Effect/Distortion	Drive	4	Distortion amount
Effect/Distortion	On	5	Enable/disable the distortion effect
Effect/Bitcrush	Bits	6	Audio resolution
Effect/Bitcrush	Sample Rate	7	Sample rate
Effect/Bitcrush	Wet	8	Processed signal volume
Effect/Bitcrush	Dry	9	Unprocessed signal volume
Effect/Bitcrush	On	10	Enable/disable the bitcrush effect
Effect/Compressor	Threshold	11	The threshold that the audio has to pass above before the compression should start taking place
Effect/Compressor	Ratio	12	The intensity of compression (high ratios mean more compression)
Effect/Compressor	Gain	13	Additional control for volume after compression
Effect/Compressor	Auto Gain	14	Automatically re-adjust the gain to stay consistent regardless of compression intensity
Effect/Compressor	On	15	Enable/disable the compression effect
Effect/Filter	On	16	Enable/disable the filter
Effect/Filter	Cutoff Frequency	17	Frequency of filter effect
Effect/Filter	Resonance	18	The intensity of the volume peak at the cutoff frequency
Effect/Filter	Gain	19	Volume gain of shelf filter
Effect/Filter	Type	20	Filter type
Effect/StereoWiden	Width	21	Increase or decrease the stereo width
Effect/StereoWiden	On	22	Turn the stereo widen effect on or off
Effect/Chorus	Rate	23	Chorus modulation rate
Effect/Chorus	High-pass	24	High-pass filter cutoff
Effect/Chorus	Depth	25	Chorus effect intensity
Effect/Chorus	Wet	26	Processed signal volume
Effect/Chorus	Dry	27	Unprocessed signal volume
Effect/Chorus	On	28	Enable/disable the chorus effect
Effect/Convolution Reverb	High-pass	65	Wet high-pass filter cutoff
Effect/Convolution Reverb	Wet	66	Processed signal volume
Effect/Convolution Reverb	Dry	67	Unprocessed signal volume
Effect/Convolution Reverb	On	68	Enable/disable the convolution reverb effect
Effect/Reverb	Decay Time	69	Reverb decay time
Effect/Reverb	Pre Low Cutoff	70	Low-pass filter cutoff before reverb
Effect/Reverb	Pre High Cutoff	71	High-pass filter cutoff before reverb
Effect/Reverb	Low Cutoff	72	Low-pass filter cutoff after reverb
Effect/Reverb	Low Gain	73	Low-pass filter gain
Effect/Reverb	High Cutoff	74	High-pass filter cutoff after reverb
Effect/Reverb	High Gain	75	High-pass filter gain
Effect/Reverb	Chorus Amount	76	Chorus effect amount
Effect/Reverb	Chorus Frequency	77	Chorus effect frequency
Effect/Reverb	Size	78	Reverb size
Effect/Reverb	Delay	79	Reverb delay
Effect/Reverb	Mix	80	Processed signal volume
Effect/Reverb	On	81	Enable/disable the new reverb effect
Effect/Phaser	Feedback	82	Feedback amount
Effect/Phaser	Mod Rate	83	Speed at which the phaser filters modulate
Effect/Phaser	Center Frequency	84	Center frequency of the phaser filters
Effect/Phaser	Shape	85	Shape of the phaser filter’s peaks
Effect/Phaser	Mod Depth	86	The range over which the phaser filters modulate
Effect/Phaser	Stereo Amount	87	Adds a stereo effect by offsetting the left and right filters
Effect/Phaser	Mix	88	Mix between the wet and dry signals
Effect/Phaser	On	89	Enable/disable the phaser effect
Effect/Delay	Mode	90	Delay type
Effect/Delay	Filter Cutoff	91	High/low frequency reduction
Effect/Delay	Filter Spread	92	Width of the filter
Effect/Delay	Time Left (ms)	93	Left delay time (in milliseconds)
Effect/Delay	Legacy Time Right (ms)	94	Right delay time (in milliseconds)
Effect/Delay	Time Left (Tempo Synced)	95	Left delay time (synced to the host tempo)
Effect/Delay	Time Right (Tempo Synced)	96	Right delay time (synced to the host tempo)
Effect/Delay	On	97	Synchronise timings to the host’s BPM
Effect/Delay	Mix	98	Level of processed signal
Effect/Delay	On	99	Enable/disable the delay effect
Effect/Delay	Feedback	100	How much the signal repeats
Master	Volume	0	Master volume
Master	Velocity To Volume Strength	1	The amount that the MIDI velocity affects the volume of notes; 100% means notes will be silent when the velocity is very soft, and 0% means that notes will play full volume regardless of the velocity
Master	Timbre	2	The intstruments timbre. Not every instrument contains timbre information; instruments that do will be highlighted when you click on this knob.